As an intellectual movement postmodernism was born as a challenge to
several modernist themes that were first articulated during the
Enlightenment. These include scientific positivism, the inevitability of
human progress, and the potential of human reason to address any
essential truth of physical and social conditions and thereby make them
amenable to rational control (Boyne and Rattansi 1990). The primary tenets
of the postmodern movement include: (1) an elevation of text and
language as the fundamental phenomena of existence, (2) the application
of literary analysis to all phenomena, (3) a questioning of reality and
representation, (4) a critique of metanarratives, (5) an argument
against method and evaluation, (6) a focus upon power relations and
hegemony, (7) and a general critique of Western institutions and
knowledge (Kuznar 2008:78). For his part, Lawrence Kuznar labels
postmodern anyone whose thinking includes most or all of these elements.
Importantly, the term postmodernism refers to a broad range of artists,
academic critics, philosophers, and social scientists that Christopher
Butler (2003:2) has only half-jokingly alluded to as like “a loosely
constituted and quarrelsome political party.” The anthropologist Melford
Spiro defines postmodernism thusly:
The postmodernist critique of science consists of two interrelated arguments, epistemological and ideological. Both are based on subjectivity. First, because of the subjectivity of the human object, anthropology, according to the epistemological argument cannot be a science; and in any event the subjectivity of the human subject precludes the possibility of science discovering objective truth. Second, since objectivity is an illusion, science according to the ideological argument, subverts oppressed groups, females, ethnics, third-world peoples. [Spiro 1996: 759]
Postmodernism has its origins as an eclectic social movement originating in aesthetics, architecture and philosophy (Bishop 1996). In architecture and art, fields which are distinguished as the oldest claimants to the name, postmodernism originated in the reaction against abstraction in painting and the International Style in architecture (Callinicos 1990: 101). However, postmodern thinking arguably began in the nineteenth century with Nietzsche’s assertions regarding truth, language, and society, which opened the door for all later postmodern and late modern critiques about the foundations of knowledge (Kuznar 2008: 78). Nietzsche asserted that truth was simply:
a mobile army of metaphors, metonyms, and anthropomorphisms – in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are. [Nietzsche 1954: 46-47]
According to Kuznar, postmodernists trace this skepticism about truth and the resulting relativism it engenders from Nietzsche to Max Weber and Sigmund Freud, and finally to Jacques Derrida, Michel Foucault and other contemporary postmodernists (2008:78).
Postmodernism and anthropology - Postmodern attacks on ethnography are generally based on the belief that there is no true objectivity and that therefore the authentic implementation of the scientific method is impossible. For instance, Isaac Reed (2010) conceptualizes the postmodern challenge to the objectivity of social research as skepticism over the anthropologist’s ability to integrate the context of investigation and the context of explanation. Reed defines the context of investigation as the social and intellectual context of the investigator – essentially her social identity, beliefs and memories. The context of explanation, on the other hand, refers to the reality that she wishes to investigate, and in particular the social actions she wishes to explain and the surrounding social environment, or context, that she explains them with. In the late 1970s and 1980s some anthropologists, such as Crapanzano and Rabinow, began to express elaborate self-doubt concerning the validity of fieldwork. By the mid-1980s the critique about how anthropologists interpreted and explained the Other, essentially how they engaged in “writing culture,” had become a full-blown epistemic crisis that Reed refers to as the “postmodern” turn. The driving force behind the postmodern turn was a deep skepticism about whether the investigator could adequately, effectively, or honestly integrate the context of investigation into the context of explanation and, as a result, write true social knowledge. This concern was most prevalent in cultural and linguistic anthropology, less so in archaeology, and had the least effect on physical anthropology, which is generally the most scientific of the four subfields.
Modernity first came into being with the Renaissance. Modernity implies “the progressive economic and administrative rationalization and differentiation of the social world” (Sarup 1993). In essence this term emerged in the context of the development of the capitalist state. The fundamental act of modernity is to question the foundations of past knowledge, and Boyne and Rattansi characterize modernity as consisting of two sides: “the progressive union of scientific objectivity and politico-economic rationality . . . mirrored in disturbed visions of unalleviated existential despair” (1990: 5).
Postmodernity is the state or condition of being postmodern. Logically postmodernism literally means “after modernity. It refers to the incipient or actual dissolution of those social forms associated with modernity" (Sarup 1993). The archaeologist Mathew Johnson has characterized postmodernity, or the postmodern condition, as disillusionment with Enlightenment ideals (Johnson 2010). Jean-Francois Lyotard, in his seminal work The Postmodern Condition (1984) defines it as an “incredulity toward metanarratives,” which is, somewhat ironically, a product of scientific progress (1984: xxiv). Postmodernity concentrates on the tensions of difference and similarity erupting from processes of globalization and capitalism: the accelerating circulation of people, the increasingly dense and frequent cross-cultural interactions, and the unavoidable intersections of local and global knowledge.
Some social critics have attempted to explain the postmodern condition in terms of the historical and social milieu which spawned it. David Ashley (1990) suggests that “modern, overloaded individuals, desperately trying to maintain rootedness and integrity . . . ultimately are pushed to the point where there is little reason not to believe that all value-orientations are equally well-founded. Therefore, increasingly, choice becomes meaningless.” Jean Baudrillard, one of the most radical postmodernists, writes that we must come to terms with the second revolution: “that of the Twentieth Century, of postmodernity, which is the immense process of the destruction of meaning equal to the earlier destruction of appearances. Whoever lives by meaning dies by meaning” ([Baudrillard 1984:38-39] in Ashley 1990).
Modernization “is often used to refer to the stages of social development which are based upon industrialization. Modernization is a diverse unity of socio-economic changes generated by scientific and technological discoveries and innovations. . .” (Sarup 1993).
Modernism should be considered distinct from the concept of “modernity.” . Although in its broadest definition modernism refers to modern thought, character or practice, the term is usually restricted to a set of artistic, musical, literary, and more generally aesthetic movements that emerged in Europe in the late nineteenth century and would become institutionalized in the academic institutions and art galleries of post-World War I Europe and America (Boyne and Rattansi 1990). Important figures include Matisse, Picasso, and Kandinsky in painting, Joyce and Kafka in literature, and Eliot and Pound in poetry. It can be characterized by self-consciousness, the alienation of the integrated subject, and reflexiveness, as well as by a general critique of modernity’s claims regarding the progressive capacity of science and the efficacy of metanarratives. These themes are very closely related to Postmodernism (Boyne and Rattansi 1990: 6-8; Sarup 1993).
Postmodernism - Sarup maintains that “There is a sense in which if one sees modernism as the culture of modernity, postmodernism is the culture of postmodernity” (1993). The term “postmodernism” is somewhat controversial since many doubt whether it can ever be dignified by conceptual coherence. For instance, it is difficult to reconcile postmodernist approaches in fields like art and music to certain postmodern trends in philosophy, sociology, and anthropology. However, it is in some sense unified by a commitment to a set of cultural projects privileging heterogeneity, fragmentation, and difference, as well as a relatively widespread mood in literary theory, philosophy, and the social sciences that question the possibility of impartiality, objectivity, or authoritative knowledge.
Ryan Bishop - “The Postmodernist genre of ethnography has been criticized for fostering a self-indulgent subjectivity, and for exaggerating the esoteric and unique aspects of a culture at the expense of more prosiac but significant questions.” (Bishop 1996: 58)
Patricia M. Greenfield Greenfield believes that postmodernism’s complete lack of objectivity, and its tendency to push political agendas, makes it virtually useless in any scientific investigation (Greenfield 2005). Greenfield suggests using resources in the field of psychology to help Anthropologists gain a better grasp on cultural relativism, while still maintaining their objectivity.
Bob McKinley - McKinley believes that Postmodernism is more of a religion than a science (McKinley 2000). He argues that the origin of Postmodernism is the Western emphasis on individualism, which makes Postmodernists reluctant to acknowledge the existence of distinct multi-individual cultures.
Christopher Norris - Norris believes that Lyotard, Foucault, and Baudrillard are too preoccupied in the idea of the primacy of moral judgments (Norris 1990: 50).
Pauline Rosenau (1993) Rosenau identifies seven contradictions in Postmodernism:
Marshall Sahlins (1930 - )- Sahlins criticizes the postmodern preoccupation with power. "The current Foucauldian-Gramscian-Nietzschean obsession with power is the latest incarnation of anthropology's incurable functionalism. . . Now 'power' is the intellectual black hole into which all kinds of cultural contents get sucked, if before it was social solidarity or material advantage." (Sahlins, 1993: 15).
Melford Spiro (1920 - ) - Spiro argues that postmodern anthropologists do not convincingly dismiss the scientific method (1996). Further, he suggests that if anthropology turns away from the scientific method then anthropology will become the study of meanings and not the discovery of causes that shape what it is to be human. Spiro further states that, “the causal account of culture refers to ecological niches, modes of production, subsistence techniques, and so forth, just as a causal account of mind refers to the firing of neurons, the secretions of hormones, the action of neurotransmitters . . .” (1996: 765).
Spiro critically addresses six interrelated propositions from John Searle’s 1993 work, “Rationality and Realism":
Spiro specifically assaults the assumption that the disciplines that study humanity, like anthropology, cannot be "scientific" because subjectivity renders observers incapable of discovering truth. Spiro agrees with postmodernists that the social sciences require very different techniques for the study of humanity than do the natural sciences, but while insight and empathy are critical in the study of mind and culture, intellectual responsibility requires objective
The postmodernist critique of science consists of two interrelated arguments, epistemological and ideological. Both are based on subjectivity. First, because of the subjectivity of the human object, anthropology, according to the epistemological argument cannot be a science; and in any event the subjectivity of the human subject precludes the possibility of science discovering objective truth. Second, since objectivity is an illusion, science according to the ideological argument, subverts oppressed groups, females, ethnics, third-world peoples. [Spiro 1996: 759]
Postmodernism has its origins as an eclectic social movement originating in aesthetics, architecture and philosophy (Bishop 1996). In architecture and art, fields which are distinguished as the oldest claimants to the name, postmodernism originated in the reaction against abstraction in painting and the International Style in architecture (Callinicos 1990: 101). However, postmodern thinking arguably began in the nineteenth century with Nietzsche’s assertions regarding truth, language, and society, which opened the door for all later postmodern and late modern critiques about the foundations of knowledge (Kuznar 2008: 78). Nietzsche asserted that truth was simply:
a mobile army of metaphors, metonyms, and anthropomorphisms – in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are. [Nietzsche 1954: 46-47]
According to Kuznar, postmodernists trace this skepticism about truth and the resulting relativism it engenders from Nietzsche to Max Weber and Sigmund Freud, and finally to Jacques Derrida, Michel Foucault and other contemporary postmodernists (2008:78).
Postmodernism and anthropology - Postmodern attacks on ethnography are generally based on the belief that there is no true objectivity and that therefore the authentic implementation of the scientific method is impossible. For instance, Isaac Reed (2010) conceptualizes the postmodern challenge to the objectivity of social research as skepticism over the anthropologist’s ability to integrate the context of investigation and the context of explanation. Reed defines the context of investigation as the social and intellectual context of the investigator – essentially her social identity, beliefs and memories. The context of explanation, on the other hand, refers to the reality that she wishes to investigate, and in particular the social actions she wishes to explain and the surrounding social environment, or context, that she explains them with. In the late 1970s and 1980s some anthropologists, such as Crapanzano and Rabinow, began to express elaborate self-doubt concerning the validity of fieldwork. By the mid-1980s the critique about how anthropologists interpreted and explained the Other, essentially how they engaged in “writing culture,” had become a full-blown epistemic crisis that Reed refers to as the “postmodern” turn. The driving force behind the postmodern turn was a deep skepticism about whether the investigator could adequately, effectively, or honestly integrate the context of investigation into the context of explanation and, as a result, write true social knowledge. This concern was most prevalent in cultural and linguistic anthropology, less so in archaeology, and had the least effect on physical anthropology, which is generally the most scientific of the four subfields.
Modernity first came into being with the Renaissance. Modernity implies “the progressive economic and administrative rationalization and differentiation of the social world” (Sarup 1993). In essence this term emerged in the context of the development of the capitalist state. The fundamental act of modernity is to question the foundations of past knowledge, and Boyne and Rattansi characterize modernity as consisting of two sides: “the progressive union of scientific objectivity and politico-economic rationality . . . mirrored in disturbed visions of unalleviated existential despair” (1990: 5).
Postmodernity is the state or condition of being postmodern. Logically postmodernism literally means “after modernity. It refers to the incipient or actual dissolution of those social forms associated with modernity" (Sarup 1993). The archaeologist Mathew Johnson has characterized postmodernity, or the postmodern condition, as disillusionment with Enlightenment ideals (Johnson 2010). Jean-Francois Lyotard, in his seminal work The Postmodern Condition (1984) defines it as an “incredulity toward metanarratives,” which is, somewhat ironically, a product of scientific progress (1984: xxiv). Postmodernity concentrates on the tensions of difference and similarity erupting from processes of globalization and capitalism: the accelerating circulation of people, the increasingly dense and frequent cross-cultural interactions, and the unavoidable intersections of local and global knowledge.
Some social critics have attempted to explain the postmodern condition in terms of the historical and social milieu which spawned it. David Ashley (1990) suggests that “modern, overloaded individuals, desperately trying to maintain rootedness and integrity . . . ultimately are pushed to the point where there is little reason not to believe that all value-orientations are equally well-founded. Therefore, increasingly, choice becomes meaningless.” Jean Baudrillard, one of the most radical postmodernists, writes that we must come to terms with the second revolution: “that of the Twentieth Century, of postmodernity, which is the immense process of the destruction of meaning equal to the earlier destruction of appearances. Whoever lives by meaning dies by meaning” ([Baudrillard 1984:38-39] in Ashley 1990).
Modernization “is often used to refer to the stages of social development which are based upon industrialization. Modernization is a diverse unity of socio-economic changes generated by scientific and technological discoveries and innovations. . .” (Sarup 1993).
Modernism should be considered distinct from the concept of “modernity.” . Although in its broadest definition modernism refers to modern thought, character or practice, the term is usually restricted to a set of artistic, musical, literary, and more generally aesthetic movements that emerged in Europe in the late nineteenth century and would become institutionalized in the academic institutions and art galleries of post-World War I Europe and America (Boyne and Rattansi 1990). Important figures include Matisse, Picasso, and Kandinsky in painting, Joyce and Kafka in literature, and Eliot and Pound in poetry. It can be characterized by self-consciousness, the alienation of the integrated subject, and reflexiveness, as well as by a general critique of modernity’s claims regarding the progressive capacity of science and the efficacy of metanarratives. These themes are very closely related to Postmodernism (Boyne and Rattansi 1990: 6-8; Sarup 1993).
Postmodernism - Sarup maintains that “There is a sense in which if one sees modernism as the culture of modernity, postmodernism is the culture of postmodernity” (1993). The term “postmodernism” is somewhat controversial since many doubt whether it can ever be dignified by conceptual coherence. For instance, it is difficult to reconcile postmodernist approaches in fields like art and music to certain postmodern trends in philosophy, sociology, and anthropology. However, it is in some sense unified by a commitment to a set of cultural projects privileging heterogeneity, fragmentation, and difference, as well as a relatively widespread mood in literary theory, philosophy, and the social sciences that question the possibility of impartiality, objectivity, or authoritative knowledge.
Criticisms:
Roy D’Andrade (1931-) - In the article "Moral Models in Anthropology," D'Andrade critiques postmodernism's definition of objectivity and subjectivity by examining the moral nature of their models. He argues that these moral models are purely subjective. D'Andrade argues that despite the fact that utterly value-free objectivity is impossible, it is the goal of the anthropologist to get as close as possible to that ideal. He argues that there must be a separation between moral and objective models because “they are counterproductive in discovering how the world works.” (D’Andrade 1995: 402). From there he takes issue with the postmodernist attack on objectivity. He states that objectivity is in no way dehumanizing nor is objectivity impossible. He states, “Science works not because it produces unbiased accounts but because its accounts are objective enough to be proved or disproved no matter what anyone wants to be true.” (D’Andrade 1995: 404).Ryan Bishop - “The Postmodernist genre of ethnography has been criticized for fostering a self-indulgent subjectivity, and for exaggerating the esoteric and unique aspects of a culture at the expense of more prosiac but significant questions.” (Bishop 1996: 58)
Patricia M. Greenfield Greenfield believes that postmodernism’s complete lack of objectivity, and its tendency to push political agendas, makes it virtually useless in any scientific investigation (Greenfield 2005). Greenfield suggests using resources in the field of psychology to help Anthropologists gain a better grasp on cultural relativism, while still maintaining their objectivity.
Bob McKinley - McKinley believes that Postmodernism is more of a religion than a science (McKinley 2000). He argues that the origin of Postmodernism is the Western emphasis on individualism, which makes Postmodernists reluctant to acknowledge the existence of distinct multi-individual cultures.
Christopher Norris - Norris believes that Lyotard, Foucault, and Baudrillard are too preoccupied in the idea of the primacy of moral judgments (Norris 1990: 50).
Pauline Rosenau (1993) Rosenau identifies seven contradictions in Postmodernism:
- Its anti-theoretical position is essentially a theoretical stand.
- While Postmodernism stresses the irrational, instruments of reason are freely employed to advance its perspective.
- The Postmodern prescription to focus on the marginal is itself an evaluative emphasis of precisely the sort that it otherwise attacks.
- Postmodernism stress intertextuality but often treats text in isolation.
- By adamantly rejecting modern criteria for assessing theory, Postmodernists cannot argue that there are no valid criteria for judgment.
- Postmodernism criticizes the inconsistency of modernism, but refuses to be held to norms of consistency itself.
- Postmodernists contradict themselves by relinquishing truth claims in their own writings.
Marshall Sahlins (1930 - )- Sahlins criticizes the postmodern preoccupation with power. "The current Foucauldian-Gramscian-Nietzschean obsession with power is the latest incarnation of anthropology's incurable functionalism. . . Now 'power' is the intellectual black hole into which all kinds of cultural contents get sucked, if before it was social solidarity or material advantage." (Sahlins, 1993: 15).
Melford Spiro (1920 - ) - Spiro argues that postmodern anthropologists do not convincingly dismiss the scientific method (1996). Further, he suggests that if anthropology turns away from the scientific method then anthropology will become the study of meanings and not the discovery of causes that shape what it is to be human. Spiro further states that, “the causal account of culture refers to ecological niches, modes of production, subsistence techniques, and so forth, just as a causal account of mind refers to the firing of neurons, the secretions of hormones, the action of neurotransmitters . . .” (1996: 765).
Spiro critically addresses six interrelated propositions from John Searle’s 1993 work, “Rationality and Realism":
- Reality exists independently of human representations. If this is true then, contrary to postmodernism, this postulate supports the existence of “mind-independent external reality” which is called “metaphysical realism”.
- Language communicates meanings but also refers to objects and situations in the world which exist independently of language. Contrary to postmodernism, this postulate supports the concept of language as have communicative and referential functions.
- Statements are true or false depending on whether the objects and situations to which they refer correspond to a greater or lesser degree to the statements. This “correspondence theory” of truth is to some extent the theory of truth for postmodernists, but this concept is rejected by many postmodernists as “essentialist.”
- Knowledge is objective. This signifies that the truth of a knowledge claim is independent of the motive, culture, or gender of the person who makes the claim. Knowledge depends on empirical support.
- Logic and rationality provide a set of procedures and methods, which contrary to postmodernism, enables a researcher to assess competing knowledge claims through proof, validity, and reason.
- Objective and intersubjective criteria judge the merit of statements, theories, interpretations, and all accounts.
Spiro specifically assaults the assumption that the disciplines that study humanity, like anthropology, cannot be "scientific" because subjectivity renders observers incapable of discovering truth. Spiro agrees with postmodernists that the social sciences require very different techniques for the study of humanity than do the natural sciences, but while insight and empathy are critical in the study of mind and culture, intellectual responsibility requires objective